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At the beginning of the 21st century, there is still no generally accepted comprehensive definition of the lyric or differentiated modern toolkit for its analysis. The reception of poetry is largely characterised either by an empathetic identification of critics with the lyric persona or by exclusive interest in formal patterning. The present volume seeks to remedy this deficit. All the contributors 'theorise' the lyric to overcome the impasse of an impressionistic and narrowly formalistic critical debate on the genre. Their papers focus on a variety of different questions: the problem of establishing a framework for definition and classification; the search for dynamic and potent critical approaches; investigations of poetry's cultural performance and its fundamental relevance for the construction of group cohesion. The essays collected in this volume offer a consciously polyphonic range of theories and interpretations, suggesting to the reader a variety of theoretical frameworks and practical illustrations of how a discussion of poetry may be firmly grounded in modern literary theory.

Poésie --- --Critique littéraire --- --Literary semiotics --- --Poetics --- Poétique --- Poëtica --- Literary semiotics --- Poetry --- History and criticism --- Theory, etc. --- Poetics --- --Poetry --- Lyric poetry --- Poetry, Modern --- History and criticism. --- Lyric poetry. --- Critique littéraire

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To celebrate the 270th anniversary of the De Gruyter publishing house, the company is providing permanent open access to 270 selected treasures from the De Gruyter Book Archive. Titles will be made available to anyone, anywhere at any time that might be interested. The DGBA project seeks to digitize the entire backlist of titles published since 1749 to ensure that future generations have digital access to the high-quality primary sources that De Gruyter has published over the centuries.

Linguistics --- Literary semiotics --- Discourse analysis --- Semiotics --- Analyse du discours --- Sémiotique --- Discourse grammar --- Text grammar --- Semantics --- Discourse analysis. --- Sémiotique

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This study bridges literature and music at an exciting and controversial point, offering the lover of music and literature and the specialist reader an insight into the relationship between Wagner’s operas and the nineteenth century novel, including comparisons with Rigoletto and Der Rosenkavalier in their evolution from other forms. It discusses matters of genre and national tradition, placing Wagner’s works in the heritage of the European Enlightenment. Comparisons of Wagner’s works with the novel have been fleeting, denoting only their length and complexity. Examining in principle and in detail the proximity of Wagner’s themes and techniques to the practices of the Realist novel, this study sheds original light on major issues of Wagner’s works and on opera as genre. The book trawls extensively in two research fields. It looks to the established Wagner literature for understandings of the musical procedures which map his works onto the prose fiction, while reading Wagner’s operas against the backdrop of the European novel, rather than against German Romantic fiction. It revisits Adorno’s music sociology and his seminal study of Wagner, but repositions many elements of his argument. Unusually, this book adopts a critical stance to Nietzsche’s view of Wagner. In marked contrast to Nietzsche, the study regards parallels between Wagner and Flaubert as an enrichment of our understanding of Wagner’s achievement. The book concludes with a major question of European cultural history: why it is that – in common with Italy, but in marked contrast to France or England – Germany’s most representative works in the nineteenth century are operas rather than novels.

Fiction --- Comparative literature --- Literary semiotics --- Wagner, Richard --- European fiction --- European fiction. --- European literature --- History and criticism. --- Wagner, Richard, --- Operas (Wagner, Richard) --- Musikdramen (Wagner, Richard) --- 1800-1899

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In her book, Barbe discusses verbal irony as an interpretative notion. Verbal irony is described in its various realizations and thus placed within linguistics and pragmatics. From the point of view of an analyzing observer, Barbe provides an eclectic approach to irony in context, a study of how conversational irony works, and how it compares with other concepts in which it plays a role. In addition, by means of the analysis of irony as an integrated pervasive feature of language, Barbe questions some basic unstated, literacy and culture-dependent assumptions about language. Her study of irony

Literary semiotics --- Pragmatics --- Irony in literature --- Irony in literature. --- Irony. --- Irony --- Ironie --- Ironie dans la littérature --- Sarcasm --- Cynicism --- Rhetoric --- Satire --- Tragic, The --- Understatement --- Ironie dans la litterature

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Why write instead of draw when it comes to architecture? Why rely on literary pieces instead of architectural treatises and writings when it comes to the of study buildings and urban environments? Why rely on literary techniques and accounts instead of architectural practices and analysis when it comes to academic research and educational projects? Why trust authors and writers instead of sociologists or scientists when it comes to planning for the future of cities? This book builds on the existing interdisciplinary bibliography on architecture and literature, but prioritizes literature's capacity to talk about the lived experience of place and the premise that literary language can often express the inexpressible. It sheds light on the importance of a literary instead of a pictorial imagination for architects and it looks into four contemporary architectural subjects through a wide variety of literary works. Drawing on novels that engage cities from around the world, thebook reveals aspects of urban space to which other means of architectural representation are blind. Whether through novels that employ historical buildings or sites interpreted through specific literary methods, it suggests a range of methodologies for contemporary architectural academic research. By exploring the power of narrative language in conveying the experience of lived space, it discusses its potential for architectural design and pedagogy. Questioning the massive architectural production of today's globalized capital-driven world, it turns to literature for ways to understand, resist or suggest alternative paths for architectural practice. Despite literature's fictional character, the essays of this volume reveal true dimensions of and for places beyond their historical, social and political reality; dimensions of utmost importance for architects, urban planners, historians and theoreticians nowadays.

Architecture and literature --- Architecture in literature --- Architecture et littérature --- Literary semiotics --- literary theory --- Architecture --- architectural theory --- Architecture et littérature. --- Architecture et littérature --- Architecture in literature. --- architectuurfilosofie